The tour begins at the top of the building, in the year 1886, with a horse. With it comes a sentence attributed to Kaiser Wilhelm II: “I believe in the horse. The automobile is a temporary phenomenon.” Several floors below, the Kaiser’s own Mercedes waits to answer him: a 770 from the years of his exile in the Netherlands, wearing the arms of the Hohenzollern where the three-pointed star should be.
The Mercedes-Benz Museum in Stuttgart holds that conversation across nine levels. Two routes spiral down through it, one through time and one through themes, past 160 vehicles and some 1,500 exhibits, and almost every car on the way has a story its label only begins to tell: a car that took its name from a young girl, a coupé built for races it never ran, a racing car struck by a vulture at full speed in Mexico, a speed record that a rival died trying to beat, on the same day and on the same road.
In Brief
- The museum opened on 19 May 2006, in a building by UNStudio of Amsterdam, with exhibition design by HG Merz.
- 160 vehicles and about 1,500 exhibits fill nine levels and 16,500 square metres.
- Seven Legend rooms in chronological order and five Collection rooms arranged by theme both end at the racing and record cars on a banked curve.
- One of the two 300 SLR Uhlenhaut Coupés is on display; its twin was sold inside the museum in 2022 for €135 million.
- In 2025 the museum received 945,716 visitors, more than half of them from abroad.
- Classics & Coffee, a meeting of classic cars of every make, has gathered on the museum hill on Sundays from spring to autumn since 2011.
History
The company began to collect its own past in 1923, three years before Daimler and Benz became one, and it has been building houses for that past ever since. The first museum opened at the Untertürkheim plant in 1936, for the automobile’s 50th anniversary. A purpose-built house followed in 1961 for the 75th and was remade for the centenary in 1986. Each anniversary asked for a larger home.
The house of 2006 is the most ambitious of them, and it is engineered like one of the cars it keeps. UNStudio of Amsterdam, the practice of Ben van Berkel and Caroline Bos, won the competition in 2001 with a building whose two ramps wind around each other like the strands of a double helix. From above, it is a trefoil of three overlapping circles. It is tempting to read the star in it, but the company relates the form to the road junction beside the site. The floors rest on “twists”, prestressed concrete elements of some 2,500 tonnes each, and span up to 33 metres without a single column. Of the 1,800 triangular panes in the façade, no two are alike.
The atrium holds a surprise. In a fire, 144 air outlets along its walls would set the air turning into a whirlwind that draws the smoke up and out of the building. In 2007, Guinness World Records measured it: a column of air 34 metres high, entered in the book as a world record. The cars are moved with equal discretion. When an exhibit changes place, a crane lifts it on a Monday or at night, some two dozen times a year.
The Collection
The first room shows how quickly the engine left the road. In the same room as the replicas of the Benz Patent Motor Car of 1886 and Gottlieb Daimler’s riding car of 1885 stand a motorboat and a replica of Friedrich Hermann Wölfert’s airship of 1888, both driven by Daimler engines, and a Daimler lorry of 1898, by the museum’s account the oldest goods vehicle in existence. Within a dozen years of the first motor car, the engine had gone to sea, into the air and to work.
In a room lined with brass stands the car of the man who gave Mercedes its name. Emil Jellinek raced Daimler cars at Nice under the name of his daughter, Mercedes, from 1899, and in 1900 he ordered 36 cars from Daimler. By the end of that year the name had passed to the 35 PS model, and from there to everything that followed. His own 60 PS Mercedes Simplex is here. Brass was a fitting choice for these walls.
In 1955, two coupés were built from the 300 SLR, the racing car that won the Mille Miglia that spring. They were built to race; they never did. At the end of the season Mercedes-Benz withdrew from motor racing, and Rudolf Uhlenhaut, the engineer whose name they carry, took them as his company cars. It was, by any measure, a generous company car. On 5 May 2022, at a private auction held inside this museum, one of the two was sold for €135 million, at the time the highest price ever paid for a car. The money went to a scholarship fund, and the buyer agreed to show the car on special occasions. Its twin never left. It stands in the room of the post-war years, with the 300 SL whose doors open upwards because they had to: the side members of its tubular frame ran so high that a conventional door could not be fitted.
The Gallery of Carriers holds the most charming of the museum’s reconstructions. In 1954, the test department built a transporter to rush the racing cars to the circuits for the following season, and marked its top speed on the rear mudguards: 105 mph, about 170 km/h. It became known as the Blue Wonder. The original did not survive, so the company built it again, and it stands with a 300 SLR lashed to its bed, as it might have arrived at a race in 1955.
The racing cars wait at the end of both routes, on a curve banked ever more steeply, and nearly every one has a story. Among the oldest is the Blitzen-Benz, which Bob Burman drove at 228 km/h at Daytona in 1911. The red car among the silver is no mistake. For the Targa Florio of 1924, the team painted its cars Italian red so that the Sicilian crowds would let them through. This one finished 11th with Christian Lautenschlager; the winning car has been lost.
Here too is the 300 SL that Karl Kling and Hans Klenk drove in the Carrera Panamericana of 1952, the road race across Mexico. At full speed, a vulture came through the windscreen and struck Klenk, injuring him. Bars were fitted across the new glass, and the two drove on to win.
Then comes the 300 SLR with the number 722. In the Mille Miglia of 1955, a thousand miles of open Italian road, Stirling Moss drove it to victory in 10 hours, 7 minutes and 48 seconds. Beside him, the journalist Denis Jenkinson wound a scroll of notes through a small box and called the road ahead with hand signals. The number on the car was simply their starting time: 07:22 in the morning.
Where the curve stands vertical, the record cars hang like specimens in a cabinet, and one of them carries the weight of a single day. On 28 January 1938, on the autobahn between Frankfurt and Darmstadt, Rudolf Caracciola drove the W 125 record car to 432.7 km/h. Later that day, Bernd Rosemeyer of Auto Union went out to beat him and was killed on the same road. On the same wall hangs the T 80, built to Ferdinand Porsche’s design for an attempt on the land speed record. The war came first, the project was cancelled in 1940, and the car never ran. It has the stillness of a thing that was never allowed to move.
The Kaiser’s car keeps company in the Gallery of Celebrities, where each car bears the mark of the person it served. There is the armoured 770 Pullman of Emperor Hirohito, chrysanthemums on its doors; the Popemobile, given bulletproof glass after the attempt on the Pope’s life in May 1981; and the last 300 of Konrad Adenauer, the chancellor whose name the model took in popular speech. There is a red 500 SL that Diana, Princess of Wales, took in December 1991 and gave back in September 1992, after criticism at home. And there is the car we would not leave without seeing, the humblest of them all: the 190 SL that the Apollo 15 astronaut David Scott owned from 1959 to 2004, shown as he kept it, unrestored. It stayed on Earth while its owner went to the Moon.
Few car museums can make the claim this one makes. By its own account, it is the only museum in the world able to tell the history of the automobile in one unbroken line, from its first year onwards. The claim rests on a collection begun in 1923 and kept ever since, and on cars that are not examples of their kind but witnesses: the car that won the Mille Miglia of 1955, the car that won across Mexico in 1952, the record car of 1938, the coupé whose twin became the most valuable car ever sold. Where a car is a replica, the museum says so, and that candour gives the originals their weight.
The building is a landmark in its own right. It received the Federal Republic of Germany’s Design Award in gold in 2008, and its architecture is as much a reason to come as the cars it houses. Nor is it a quiet place. In 2022 it hosted the sale that set the record price for a car, and on Sundays from spring to autumn the hill in front of it fills with classic cars of every make. In 2025, 945,716 people came, more than half of them from abroad; since it opened, more than 14 million.
Visitor Experience
The visit begins in a lift that rises through the full height of the atrium, and the doors open on to 1886 and a horse. From there, the building takes over. The ramps turn slowly around the open centre, the floor underfoot is smoked oak like that of an old workshop, and with every turn another decade comes into view: brass walls for the first years of the brand, the fabric of airbags lining the room devoted to safety. Those who follow the Legend rooms descend through time. Those who cross into the Collection rooms move sideways through it, among the travellers, the carriers, the helpers and the famous.
We would keep the most time for the last room. The floor begins to tilt, and the racing cars rise with it, from the Silver Arrows of the 1930s to the Formula One cars of later decades, on a curve that grows steeper until the record cars stand on the wall above. No view in the building is finer.
The museum suggests at least two hours. We would give it half a day, and come on a Sunday between spring and autumn if the calendar allows. Classics & Coffee then fills the hill outside with classic cars of every make, as it has since 2011, and for a few hours the collection outside answers the one within. The day can end where it began, in the atrium, looking up at the double helix of ramps just walked down.
Climate
| Month | High °C | Low °C | Rainfall mm | Rainy days | Daylight h |
|---|---|---|---|---|---|
| January | 4° | −2° | 73 | 14 | 8.8 |
| February | 6° | −2° | 62 | 12 | 10.2 |
| March | 10° | 1° | 74 | 14 | 11.9 |
| April | 14° | 4° | 60 | 13 | 13.7 |
| May | 18° | 9° | 90 | 15 | 15.3 |
| June | 22° | 12° | 81 | 14 | 16.1 |
| July | 24° | 14° | 86 | 14 | 15.7 |
| August | 24° | 14° | 75 | 13 | 14.3 |
| September | 19° | 10° | 68 | 12 | 12.6 |
| October | 14° | 7° | 73 | 13 | 10.8 |
| November | 9° | 2° | 73 | 13 | 9.2 |
| December | 5° | −1° | 82 | 15 | 8.3 |
Monthly averages for Mercedes-Benz Museum, 1991–2020.
Generated using Copernicus Climate Change Service information 2026 (CC BY 4.0).
Neither the European Commission nor ECMWF is responsible for any use that may be made of the Copernicus information or data it contains.
Location
The museum stands at the edge of the NeckarPark, Stuttgart’s largest event area, beside the company’s Untertürkheim plant. Its neighbours are the MHPArena, home of VfB Stuttgart, the Porsche-Arena and the Hanns-Martin-Schleyer-Halle, and the Cannstatter Wasen, where the city holds its spring festival and its autumn Volksfest. In the spa gardens of Bad Cannstatt stands the greenhouse in which Gottlieb Daimler and Wilhelm Maybach set up their workshop, preserved as the Gottlieb Daimler Memorial. On the north side of the city, in Zuffenhausen, is the Porsche Museum.
The S1 line of the S-Bahn stops at NeckarPark, a short walk from the entrance, and the museum has its own multi-storey car park. On match days and during the festivals, access is limited, and the train is the calmer choice.
Address
100 Mercedesstraße
70372 Stuttgart
Stuttgart, Baden-Württemberg
Germany
Website